Thank you to all who attended Flash Fiction for Charity on July 13 at Great Leap Brewing. We collected 2,450 RMB for Educating Girls of Rural China.
We'll be posting our five readers' entries this week, culminating in a podcast of the full event on Friday. To start, here's Daniel Tam-Claiborne, author of the novel What Never Leaves, with his short story "If Not for the Melon."
A rifle and sword tied with a red flag over a meter of Gobi sand welcomes visitors to the Xinjiang Production and Construction Corps Museum in the city of Shihezi, 136 kilometers northwest of Ürümchi. This museum, filled with patched and dented artifacts and hundreds of large-scale historical photos, is the premier monument to the Han experience of the recent past in Xinjiang. It shows us the narrative of experience necessary to understand the history of the people who self-identify as “constructors” (jianshezhe) of Xinjiang.
Editor’s note: Empires of the Deep, with a budget exceeding $100 million, was supposed to be China's Avatar. But as our correspondent, Dale Irons, found out on set, this extravagant 3-D epic was plagued from the beginning by incompetence and misfortune -- to say nothing of dangerous working conditions, a rampaging horse, and the tide. Five years after production began, there's little reason to believe this film will ever see a big-screen release.
This is Part 2 of Dale's two-part diary from the set of what might be China's most expensive -- and worst -- movie ever. --RFH
Editor’s note: Empires of the Deep is a much-delayed 3-D epic film that seems destined to disappear forever. Neither the film -- known rather generously as "China’s Avatar," starring Bond girl Olga Kurylenko (Quantum of Solace) -- nor the full story may ever be officially released. It’s now been five years -- an appropriate anniversary -- so, tired of waiting, we here publish the “production diaries” of a young Australian-British man, Dale Irons, who found himself back in 2009, for various reasons, on the set of allegedly the most expensive Chinese film ever made -- and possibly the worst. Big words? Read for yourself. --RFH
Last September, when Literary Death Match swung through Beijing, I performed a poem called Things That Taste Like Purple about the devilry of baijiu, a.k.a. sorghum liquor (dust of the attic, wine of the gutter... with a long finish into the fetor of fragrance). Unbeknownst to me, one of my friends in the audience, the artistic and talented Amy Sands, would go on to create a series of watercolors to accompany my words. The video, which she shot, I post here with deepest gratitude and humility.
The people huddled at the front gates of the US Embassy in Beijing last November were not there to protest the flight of US bombers over contested islands in the East China Sea. Instead, they chanted slogans such as, “Beat down corruption!” and, “The Communist party doesn’t care about the common people!” Plainclothes police officers stood nearby, conspicuous in matching black and gray sweatpants.
Perhaps you've heard, but we're organizing a community flash fiction event on Sunday, July 13 at Great Leap Brewing's Original No. 6 location, and we're seeking writers who want to read their work. All you have to do is submit an original piece of fiction between 500-700 words on the theme of "Beijing" to firstname.lastname@example.org before July 4; we'll pick at least five people to read. How easy is this? Let us demonstrate.
Today marks the 25th anniversary of a turning point in modern Chinese history. In the run-up, around 20 key intellectuals and campaigners have been been detained, and security around Beijing heightened. And who knows how many warnings and threats have been issued to the family and friends of conscience-driven citizens across the country.
In 2020, almost one of every 10 people in the world will live in a Chinese city. Every year from now, an estimated 18 million Chinese will move to urban areas. That's like taking the population of Tokyo and adding it to the nation’s urban centers every year.
Attention, writers of Beijing: we're holding a flash fiction reading on Sunday, July 13 at Great Leap Brewing's Original No. 6 location (Doujiao Hutong No. 6). Space is limited, so we're asking those interested to register by emailing us -- spots will be reserved on a first-come, first-served basis. The cost is 50 RMB, which includes a select GLB beer, with all proceeds going to the charity Educating Girls of Rural China. Also, importantly: we're seeking readers!
On April 16, Alec Ash of the Anthill gathered eight writers (technically nine) to read stories at Cu Ju, a rum bar in the hutongs owned by the somewhat legendary Badr Benjelloun, who paired each writer with a rum. The result was glorious. Alec graciously allowed us to record the entirety of that event, which we now present to you as an episode of The Creamcast.
On April 13, 2014, Abdulbasit Ablimit, a 17-year-old from a small town near Aqsu, was shot twice. It appears he had run a red light on an electric scooter and, rather than stop and pay a fine, he had fled. According to his friends, he was gunned down three kilometers later. The official state narrative, posted a few days after the incident, says he attacked the police officers with stones, tried to grab their guns, and so on.
Regardless of how, Abdulbasit died within hours. His body was given to his family for burial. But he was not buried.
On a crisp September 1st morning in Beijing, I stood before a locked iron door. On the other side was a hutong that led to the streets and eventually my university dorm. On my side was a scruffy courtyard home, a room with no couch and only one big bed – on which slept my Chinese boyfriend. It was dawn, and the hutong roofs were limned by a light morning mist, releasing the heat of the night into a new day. Inside, I was trapped, faced with an undesirable decision: to take a hammer to the door, or to return to the bed and have sex with a person I no longer respected.
You've probably heard the rumors of 4corners's demise, but are they premature? "Forced renovations" is how owners Tavey Lin and Jun Trinh describe their popular bar/restaurant/livehouse's impending (temporary?) closure. What this means for the rest of us is two huge parties, today and tomorrow. To get a preview, I sat down with Tavey and Jun on Wednesday. In addition to looking ahead, they couldn't help reminiscing a bit about everything, from parties to concerts to bathroom sex.
The Xinjiang Flying Tigers may have lost the CBA championship to the Beijing Ducks, but Xinjiangers around the world came away from the games with a powerful meme. It came at the end of Game 5, after the Tigers rallied and pulled off an improbable win in front of a hostile Beijing crowd of 18,000. Shiralijan, the star Uyghur point guard for the Tigers who had been tasked with defending Stephan Marbury -- the star of the Ducks (and best player in the league, according to Anthony Tao!) --threw the ball in the air and raised a twirling, emphatic fist:
Spring switches us from latent to active, and spring being the season of festivals in Beijing, it's one more reason to get up and busy (and stop marathoning shows on Sohu). Beginning next Tuesday, April 8, the six-day Beijing Improv Festival returns with shows and workshops featuring greater China's finest improv crews. Knowing almost nothing about the art, I spent time with the local bilingual group Plus One during one of their weekly Sunday rehearsals to get the scoop.
Blogging China was a March 18 Bookworm Literary Festival panel discussion moderated by Anthony Tao and featuring Jeremy Goldkorn (Danwei), Alec Ash (the Anthill), Mia Li (Sinosphere), and Tao Stein (WeChat: 石涛讲故事 / shitaojianggushi). In front of a full house, we talked about the characteristics of bloggers (journalists without credentials? writers without agents? mavens without business plans?), the purpose of blogs, particularly in relation with traditional media, censorship, curation / aggregation, Sina Weibo, and whether WeChat is the future of blogging -- among many other topics.
People still remember where they were the day Exmetjan died. It was Thursday, June 13, 1991. He was only 22 years old.
As is common with the death of an icon, many people refused to believe he was gone. Instead, rumors spread that thugs from a rival disco had knifed him in a back alley or that he had faked his death and gone abroad to marry a princess.
Communist Party cadres throw down rapper-level cash on luxury brands, especially in the name of "gifts of guanxi," but a shrinkage in the gift market has affected some key industries in the domestic policy game, like Moutai, which has seen sales plummet over the last year. Luxury darlings Gucci, Louis Vuitton and Cartier also have all seen a slump in demand.