About a month ago Douban, as part of its ongoing "Beyond the Billboard" event series, invited two bands from Chengdu to perform at Café XP in Beijing - Sound and Fury and Hiperson. I got to interview both bands for the show before the concert. The band featured here is the former, which plays shoegaze, a style that seems to have become very prominent with Chinese indie types late last year.
I’ve asked many people why Abdulla “Aka” (Older Brother) Abdurehim is the undisputed King of Uyghur music. It’s not that he has the gravitas of a young Elvis Presley, the steely resolve of Johnny Cash, the working-class poetics of Bruce Springsteen, or the song and dance routine of the trickster Bob Dylan. People talk about the catchiness of his melodies, the way the best song writers flock to him like pigeons to a master, and women flutter around him like moths to a flame. Yet these explanations always leave me unsatisfied. Abdulla is, after all, an average-looking middle-aged man from Kashgar. He’s average height. He has a moustache.
Within the marriage market of the urban Uyghur community it has almost become a cliché to discuss the moral aptitude of young men in terms of their frequency of prayer. When introducing a potential boyfriend, the line given is “he prays five times a day." Although this description often overlooks other moral failures such as drinking, smoking, and general carousing, the overall connotation conveyed is “this is a good, responsible guy.” In the short film With Me, Hezriti Ali, another self-made migrant actor-muscian from the southwest edge of the Taklamakan Desert, tackles this problem in an unusually subtle and implicit way.
The temptation, when evaluating a poet gunned down by his government, is to start there, with the politics that led to his murder. But Wen Yiduo (1899-1946) was much too complex and heterodox to comfortably wear the martyr's robe, his works too nuanced and unsettled to be a paragon of any revolution. His poems explore religion and rickshaws, contain the chrysanthemums of Chinese folklore and the mud of contemporary times, and dare readers to challenge prevailing conceptions, even to render their own cynicism as hope.
The ubiquitous red envelope may seem innocent enough, but accommodating a billion or so hongbao exchanges puts great pressure on the Chinese banking system. After experiencing several cash crunches in 2013, the People’s Bank of China very publicly injected 255 billion RMB (42 billion USD) into the system leading up to the holiday. You care, because the inflation this caused means your holiday (cash) bonus was just a touch undervalued.
Music envelops the tight confines of nightclubs in Xinjiang's urban centers, where the pageantry of movement brings friends and strangers to life. Uyghurs can dance. And since his very first cassette tape released in 1999, the singer Möminjan has been popular with Xinjiang's youth precisely because his songs are eminently danceable.
PBS has done all of us a favor by offering free streaming of the award-winning documentary Last Train Home on its website until February 11. You have to be located in the US, so fire up those VPNs and get watching.
It took a manager in a Chinese state-owned enterprise asking me to help double-team his mistress in a Shanghai hotel for me to realize why The Wolf of Wall Street was my favorite film of 2013.
![Day Above Ground Says Its Racist Video Is “Art,” Tells Offended Parties To “Step Back, Take A Breath And Relax” [UPDATE]](http://beijingcream.com/wp-content/uploads/2013/08/Day-Above-Ground-Asian-Girlz-1-150x150.jpg "Day Above Ground Says Its Racist Video Is “Art,” Tells Offended Parties To “Step Back, Take A Breath And Relax” [UPDATE]")
