Our friends at Beijing Today will sporadically swing by to introduce art and culture in the city. This week, a man who paints of and with love.
Sheng Tianhong’s heart is wholly devoted to painting. Born in Zhejiang Province in 1973 and a graduate from the Chinese Central Academy of Fine Arts, he moved to Dusseldorf, Germany at the age of 24 to travel and develop his career.
The short film Battle (above, with English subtitles) offers viewers a perspective of Uyghur life in major Chinese cities outside of Xinjiang. Having lived in Northwest China for extended periods, it was striking to see how evocative it is of life for Uyghurs outside of their homeland.
Adil Mijit is not the only Uyghur comedian to incorporate a discussion of hip-hop into his performances. In the recent state-sponsored film Shewket’s Summer, directed by Pan Yu with assistance from Beijing Film Academy students, Abdukerim Abliz joins the Uyghur hip-hop crew Six City as a reticent folk musician. The film, which is both a “coming-of-age” and “parent-trap” melodrama, highlights the way conflicts resolved at the level of the family have larger implications for society.
It’s not every day that a Chinese animated film manages to secure more than 1 million yuan in funding. It’s even rarer that that money comes from the crowd.
But 3,596 backers saw promise in Big Fish & Chinese Flowering Crabapple, a new film by Liang Xuan. Enough promise that they donated 1.58 million yuan over 45 days on Demohour.
It now holds the title of China’s most successful crowd-funded project to date.
Donnie has a music video. He worked on it for three months. It features pandas and handjobs, and if you didn't think of the Oriental Pearl Tower as phallic before, well:
The Uyghur-language songs of teen heartthrob Ablajan Awut Ayup run on a loop through the heads of many Uyghur tweens and young urbanites. Taking cues from Justin Bieber, the ever-popular dance moves of the late-Michael Jackson, and the pretty-gangster affect of Korean pop stars, Ablajan is a self-styled chart-climber; he is a self-made song-and-dance man. Whether you love him or hate him, the fact remains that he has cornered the Uyghur children’s music market by tying clever songwriting with catchy beats.
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