Laowai Comics is a periodic webcomic. Beijing Cream is proud to debut its Thursday comic every week. Our intrepid artist is taking the rest of the summer off, so enjoy this one for a while! Full archives here.
Attention, writers of Beijing: we're holding a flash fiction reading on Sunday, July 13 at Great Leap Brewing's Original No. 6 location (Doujiao Hutong No. 6). Space is limited, so we're asking those interested to register by emailing us -- spots will be reserved on a first-come, first-served basis. The cost is 50 RMB, which includes a select GLB beer, with all proceeds going to the charity Educating Girls of Rural China. Also, importantly: we're seeking readers!
Two vehicles rammed into pedestrians in an open market at 7:50 this morning on Gongyuanbei Street in Urumqi, Xinjiang, killing at least 31 people and injuring more than 90, according to Chinese state media. AP reports that "the Xinjiang regional government said in a statement that the early morning attack was 'a serious violent terrorist incident of a particularly vile nature.'"
With so much attention on the violence emanating from Xinjiang, many of you may have missed the parade of Uyghur dancers who have recently taken the stage on the Chinese version of “So You Think You Can Dance” (Zhongguo Hao Wudao). Not only do we have the child-star-turned-adult-tap-dancer Yusupjan, the nine-year-old break-dancer Surat Taxpolat (who goes by the stage name “Little Meatball”), and the teenage break dancer Umid Tursun, but we also have the model family of Gulmira Memet, a young dance instructor from the Xinjiang Art Institute in Ürümchi.
China's anti-porn crackdown -- its latest, I mean, in a long line of many -- isn't going as well as planned, because apparently porn is hard to block and everyone watches it, so the propaganda spinners have gone into overdrive to frame the story in a new light. If you want to see Chinese state media at its best / worst, these are the moments you cherish, when it completely jumps the shark.
As in many Islamic societies around the world, Uyghurs listen to cassettes and MP3s of sermons, poetry, and essays as a way to tune in to the sensibilities of the rapidly changing social world and to find their place within larger communities. Those who listen to these forms of media are ordinary Uyghurs, people who work as farmers and seamstresses, small-scale traders, and handymen. They send their children to schools with red scarves tied around their necks and worry that their kids won’t be able to find their way in the new world. Many of the most popular recordings focus on ethical action, on living right, and on what the world “out there” is like. They are both entertaining and instructive.
