Those adorable creatures from the Despicable Me franchise would like to wish you a Happy Chinese New Year. Either that or they really like saying the word horse.
Louis CK was in Beijing in June 2012 to film the (wonderful) finale of (the wonderful) third season of his show Louie, and apparently he got enough material to tell stories for years. He was recently on David Letterman, where -- for whatever reason -- he was prompted to relive his experience.
A jet-black Audi A6 with government plates rolls down the streets of Beijing and stops at a school, mall or restaurant. Out steps a teenage girl, backpack in tow, who surely can't be a government official -- but just might be the daughter of one. Secretly, every pedestrian scoffs and/or hisses.
If last November’s Communist Party announcement about the procurement and use of government cars actually pans out -- eliminating all but a select number (取消一般公车) -- familiar scenes like these may no longer dominate urban landscapes.
There was a time, years ago, when Chinese New Year's Eve in Beijing was the world's most bombastic celebration of existence, a collective yell held for three straight hours amid concussions of light and racket. Because here we were, we declared, right here. Earth shook heaven. I remember forked lightning, fractals of red, blue, and orange, air rent with the shape of sound. It felt surreal to be centered in this steady beat of a burgeoning and explosive declaration, ours, that we had survived and would survive yet (Do your worst!), and yet it felt right.
Music envelops the tight confines of nightclubs in Xinjiang's urban centers, where the pageantry of movement brings friends and strangers to life. Uyghurs can dance. And since his very first cassette tape released in 1999, the singer Möminjan has been popular with Xinjiang's youth precisely because his songs are eminently danceable.
In college, I came across the original diaries of two Fuzhou missionaries that had been gathering dust in our library for more than 100 years. I’ve now lived in China for four years, which seems like long enough to revisit the stories of Mary Allen and Carlos Martin.
PBS has done all of us a favor by offering free streaming of the award-winning documentary Last Train Home on its website until February 11. You have to be located in the US, so fire up those VPNs and get watching.
It took a manager in a Chinese state-owned enterprise asking me to help double-team his mistress in a Shanghai hotel for me to realize why The Wolf of Wall Street was my favorite film of 2013.