SHUO says he’s one of only two people in all of China making this kind of stencil art. “First, [people] just don’t have the awareness. Second, they don’t know what this is” This piece originally appeared on the China digital media platform Radii, and this edited version is republished here with permission. It’s the kind of... Read more »
The first authorized English production of Yasmina Reza’s Art begins its four-day Beijing run from tonight, May 11. Since the London premiere of Christopher Hampton’s translation, with Albert Finney, Tom Courtenay and Ken Stott as the three principals, Marc, Serge and Yvan, Art has raked in over $250 million worldwide, showcased innumerable all-star lineups, stunt... Read more »
Last weekend I went to Gulsay Cemetery at the south end of Ürümchi, back behind the power plants right next to the lowest foothill of the eastern section of Heavenly Mountains. Many Uyghur, Kazakh, and Hui heroes are buried in this cemetery; people often just refer to it as “the Muslim cemetery.” Looking at the markings around you, it feels as though you are in a completely Muslim world. In the Uyghur section of the cemetery all of the signs are only in the Arabic script of modern Uyghur. There is little sign in this community of the dead that we're in the largest Chinese city in Central Asia.
The first Uyghur contemporary art exhibition was launched at Xinjiang Contemporary Art Museum on May 16, attended by several hundred people from across the province, including most of the represented artists. Since the majority of the painters were teachers or professors, many leading administrators from local universities were also present. Aside from them and a few Han painters from local art schools that the museum’s leading curator, Zeng Chunkai, had invited for the opening, nearly everyone was Uyghur. Even a famous Uyghur public intellectual, Yalkun Rozi, came and praised the artists – although he clearly didn’t understand contemporary art.
Life is a complex, blending the normal and the absurd in often disorienting combinations. That mystery and confusion inspires Liu Yichao, a 25-year old artist whose paintings meld weird creatures and narratives to invite the viewer into an illogical but familiar place.
It’s hard to imagine that the Tibetan inspired art of Wang Yiguang is the work of a man who grew up on the North China Plain. But Tibet’s vigorous yaks, winding railways and cheerful girls have been the subject of Wang’s creations since he first set foot on the magical plateau in 2002.
On February 5, 1989, at the opening of the China Avant-Garde Exhibition at the National Art Museum of China in Beijing, a young performance artist by the name of Xiao Lu fired two gunshots at her work, two telephone booths with figures engaged in conversation inside. Her act -- part of the performance piece titled "Dialogue" -- became synonymous with the exhibition, caused the entire show to be temporarily shut down, and contributed to her and her boyfriend's arrest.
Few things can poison an artist’s development quite like early fame. And when fame comes knocking, it takes a lot to cast it away and reboot one’s art career in an unfamiliar world. Illustrator Lisk Feng made that tough decision three years ago when she left her hometown behind to build her skills and begin a new career in the US.
Carousels, Ferris wheels and bumper cars are the characters of artist Huang Saifeng’s amusement-themed paintings. His style blends fairytale settings with the dreamy feel of fading memory to evoke powerful nostalgia.
While most painters create their art using pen or brush, the avant-garde artist He Ling (@何玲Heling) uses medical syringes to bring his wild imaginings to life.
At his recent exhibition in Songzhuang Art District, the young artist displayed a series of mutant birds and beasts he created by injecting acrylic paints and dyes made from Chinese herbs into his canvas. The process resembles traditional embroidery in its delicacy.