Life is a complex, blending the normal and the absurd in often disorienting combinations. That mystery and confusion inspires Liu Yichao, a 25-year old artist whose paintings meld weird creatures and narratives to invite the viewer into an illogical but familiar place.
It’s hard to imagine that the Tibetan inspired art of Wang Yiguang is the work of a man who grew up on the North China Plain. But Tibet’s vigorous yaks, winding railways and cheerful girls have been the subject of Wang’s creations since he first set foot on the magical plateau in 2002.
The consumption power of Chinese travelers once again grabbed headlines during the Spring Festival holiday. But instead of luxury watches or baby formulas, it’s Japanese toilet seats that have tourists going wild.
Few things can poison an artist’s development quite like early fame. And when fame comes knocking, it takes a lot to cast it away and reboot one’s art career in an unfamiliar world. Illustrator Lisk Feng made that tough decision three years ago when she left her hometown behind to build her skills and begin a new career in the US.
Carousels, Ferris wheels and bumper cars are the characters of artist Huang Saifeng’s amusement-themed paintings. His style blends fairytale settings with the dreamy feel of fading memory to evoke powerful nostalgia.
Chinese social networking sites have been swamped with discussion of the latest scandalous topic: “Escort for Travel.” Purportedly the work of an 18-year-old woman, the posts advertise job openings for “temporary boyfriends” and include photos and videos of the woman sleeping with random men on her trips to Nanjing, Wuxi and Suzhou.
While most painters create their art using pen or brush, the avant-garde artist He Ling (@何玲Heling) uses medical syringes to bring his wild imaginings to life.
At his recent exhibition in Songzhuang Art District, the young artist displayed a series of mutant birds and beasts he created by injecting acrylic paints and dyes made from Chinese herbs into his canvas. The process resembles traditional embroidery in its delicacy.
It’s hard to find anyone without an opinion about this city, be it a fear of pollution, heavy traffic or some other widely reported negative attribute.
But Beijing isn’t all bad.
Tasty snacks, magnificent architecture and a comparatively cosmopolitan environment are among the city’s selling points, which is what artist Tian Li attempts to capture in his work.
If you haven’t made any plans for your Halloween night, consider a trip to one of Beijing’s haunted houses.
Not to be confused with the spooky amusement destinations that pop up throughout the US and Canada at this time of the year, these haunted houses are the sites of ancient murders and suicides.
Tales of wandering spirits, unusual sounds and paranormal activity have persisted for more than a decade at some of these locations...
Most people might not give Chinese posters a second thought, but Wang Yuqing has dedicated himself to collecting and studying them as historical records.
Often dismissed as propaganda, the posters reveal much about the social culture, economy and politics of modern Chinese history.
Artists and writers seeking the pinnacle of Chinese civilization often turn to the Tang Dynasty, an era of openness and innovation credited with fostering some of the finest art and poetry in the history of Han civilization.
It’s no surprise that such an amazing era would provide similar inspiration to Xu Songbo, a professor at the Tianjin Academy of Fine Arts, who attempts to capture the Tang spirit in his breathtaking oil compositions. They are collected in Tang Feng, his exhibition open until this Thursday at New Millennium Gallery in 798 Art District.
Tao Na is aggressively trying to create a name for herself in the world of design. She is famous for using bricks, lights and pixel designs to craft outstanding mosaics.
The nature of charity in China is changing. In the last decade, both international organizations and domestic groups have shifted from relying on donation drives to providing more complex cultural services to meet the specific needs of disadvantaged groups.
But finding the right way to go about charitable projects remains a tough question for many.
As the first Chinese artist to capture the dimensional style of Paul Cézanne (1839-1909), Pan Hao uses planes of color and small brushstrokes to build exceedingly complex images.
If China’s contemporary art market has one fatal fault, it is an obsession with cultivating and trading stars.
Artists born in the 1960s have become darlings of the market, producing some of the most expensive works traded at auction houses anywhere in the world.
But the next generation, born in the 1970s, has very different goals for creation and social recognition. Most use their skills to express an attitude or convey their artistic perspective to the public in plain language.
For his first solo exhibition on the Chinese mainland, Taiwanese artist Lee Mingwei is transforming his childhood memories into a personal performance at Ullens Center for Contemporary Art.
Sonic Blossom, the New York-based artist’s new participatory installation, brings together a team of classically trained opera singers to serenade unsuspecting visitors with Franz Schubert’s Lieder.
It’s odd to imagine Jesus, in China, is more discussed than historic leaders, but Weibo chatter suggests precisely that.
An infographic published by Foreign Policy (non-paywalled version here) last month showed that discussion of Christian terms is several times more common than similar political phrases.
While the disparity may be exaggerated by attempts to create a healthy environment for discussion, it reflects a growing trend as young adults born in the 1980s and 1990s rediscover religion.
After a decade abroad in the New York art scene, painter Zhao Gang is back to exhibit his last decade of creations.
The exhibition, which opened April 13 in Yonghe Community, has attracted art market observers, commentators, reporters, and general art lovers.
Titled “The Emperor and His…,” the paintings capture Zhao’s impressions about people around the world.
A receptionist at the Wangfujing Branch of China’s Commercial Publishing House got the surprise of her life when an old man walked in with a several-thousand-page handwritten manuscript.
At 76-years-old, Che Hongcai had only one thing to say: “I’m finished.”
In his hands was the first ever Pashto-Chinese dictionary, a project commissioned, re-commissioned and eventually lost by the State Council.
