As to be expected from the invariably weird National Art Museum of China, the exhibition design for “Pneuma, Enlightenment, Harmonious: Sculpture Exhibition of Zhao Chengmin” was really freakin’ weird. First there were the dingy maroon walls — apart from the feeling of being in a ’70s smoking lounge, they wouldn’t be so bad except that... Read more »
I’m not sure how the topic came up, but over drinks at a newish bar on Beiluoguxiang, a few friends and I started discussing nudity and a certain sans-vêtements Beijing summer gathering last year (if you didn’t hear about it, your loss). “Oh, we were only naked, it was no big deal,” my friend repeated after... Read more »
Installation art may be the only type that lets artists actually live up to their outsider, free-spirit, totally bullshit reputation. It’s also more fun for the audience to get to step into/touch/eat the artwork, so they tend to be crowd pleasers and museum favorites. I’m inclined to give artists more credit for giant installations because... Read more »
I leaned over my Japanese eel handroll bought by the 10-year-old Chinese girl’s mother who was decked in glistening gold chains and a sparkling chemise. Looking squarely at the girl on this, our very first appointment, I asked her, “What is bad art?” She matter-of-factly responded, “Art made by grown-ups.” As an interim project to... Read more »
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