Watch: “The Dialogue,” A Documentary Film About Han-Tibetan-Uyghur Relations

The Dialogue
Posted just last week to Vimeo (password duihua), The Dialogue is a film by Wang Wo that looks at the Chinese government’s increasingly restrictive policies toward non-governmental contact between minority groups (specifically Tibetan and Uyghur) and Han Chinese. The film centers on an attempt by Chinese intellectuals and human rights lawyers to make contact with the Dalai Lama.

Is Art Vandalism Art? A Closer Look At Maximo Caminero And Ai Weiwei

Maximo Caminero breaks Ai Weiwei vase
The definition of irony has always been difficult to pin down, even for the most seasoned of wordsmiths, but here’s an attempt through example: an artist who achieved fame by defacing or destroying other artists’ work sees one of his defaced works defaced by another artist. The famous artist is Ai Weiwei, whose 1995 photographic triptych Dropping a Han Dynasty Urn is undoubtedly one of the pieces that propelled him to international art world fame and fortune.

The Sound Stage – Sound And Fury

The Sound Stage - Sound And Fury
About a month ago Douban, as part of its ongoing "Beyond the Billboard" event series, invited two bands from Chengdu to perform at Café XP in Beijing - Sound and Fury and Hiperson. I got to interview both bands for the show before the concert. The band featured here is the former, which plays shoegaze, a style that seems to have become very prominent with Chinese indie types late last year.

Dispatches From Xinjiang: “Older Brother” Abdulla, The King Of Uyghur Music

“Older Brother” Abdulla The King Of Uyghur Music - His Voice
I’ve asked many people why Abdulla “Aka” (Older Brother) Abdurehim is the undisputed King of Uyghur music. It’s not that he has the gravitas of a young Elvis Presley, the steely resolve of Johnny Cash, the working-class poetics of Bruce Springsteen, or the song and dance routine of the trickster Bob Dylan. People talk about the catchiness of his melodies, the way the best song writers flock to him like pigeons to a master, and women flutter around him like moths to a flame. Yet these explanations always leave me unsatisfied. Abdulla is, after all, an average-looking middle-aged man from Kashgar. He’s average height. He has a moustache.

Dispatches From Xinjiang: Aspiration, Masculinity And The City: Hezriti Ali’s Film Short And Music Video “With Me”

Aspiration, Masculinity And The City - Hezriti Ali
Within the marriage market of the urban Uyghur community it has almost become a cliché to discuss the moral aptitude of young men in terms of their frequency of prayer. When introducing a potential boyfriend, the line given is “he prays five times a day." Although this description often overlooks other moral failures such as drinking, smoking, and general carousing, the overall connotation conveyed is “this is a good, responsible guy.” In the short film With Me, Hezriti Ali, another self-made migrant actor-muscian from the southwest edge of the Taklamakan Desert, tackles this problem in an unusually subtle and implicit way.

Wen Yiduo: A Masterful Poet Is Revived In New Translation

Wen Yidou - Stagnant Water Cover featured image
The temptation, when evaluating a poet gunned down by his government, is to start there, with the politics that led to his murder. But Wen Yiduo (1899-1946) was much too complex and heterodox to comfortably wear the martyr's robe, his works too nuanced and unsettled to be a paragon of any revolution. His poems explore religion and rickshaws, contain the chrysanthemums of Chinese folklore and the mud of contemporary times, and dare readers to challenge prevailing conceptions, even to render their own cynicism as hope.

CNY During CNY: Hongbao Havoc

Danielle Sumita
The ubiquitous red envelope may seem innocent enough, but accommodating a billion or so hongbao exchanges puts great pressure on the Chinese banking system. After experiencing several cash crunches in 2013, the People’s Bank of China very publicly injected 255 billion RMB (42 billion USD) into the system leading up to the holiday. You care, because the inflation this caused means your holiday (cash) bonus was just a touch undervalued.

Dispatches From Xinjiang: Möminjan, Turkish Pop, And Islamic Devotion

Mominjan
Music envelops the tight confines of nightclubs in Xinjiang's urban centers, where the pageantry of movement brings friends and strangers to life. Uyghurs can dance. And since his very first cassette tape released in 1999, the singer Möminjan has been popular with Xinjiang's youth precisely because his songs are eminently danceable.

Dispatches From Xinjiang: Success Stories Of Going Abroad And The Uyghur Pop Star Möminjan

Success Stories Of Going Abroad And The Uyghur Pop Star Möminjan
Of all the performers in the upper echelon of Uyghur pop music, Möminjan is perhaps the most widely traveled independent artist. Möminjan and his brother, the famous composer Ablet Ablikim, grew up in the shadow of their famous uncle Abdulla, the King of Uyghur pop. He and his brother have been following in their uncle’s footsteps for more than a decade; they even recorded a song together called “We Brothers” (Qerindash Biz), which sounds a bit like a Uyghur version of the Everly Brothers.

Donnie Goes On Chinese TV, And It Gets Awkward

Donnie Does Chinese TV
This video begins with the text: "After his video 'Donnie Does Marriage Market' went viral in China, Donald Mahoney was invited to Beijing to be a guest on the popular Chinese TV show: My Oscar." That's quite the set-up. But Donnie struggles, privately, with a crisis of confidence -- before finding himself amidst firecracker smoke. At the 10-minute mark, he goes on stage. It gets awkward real fast.

Dispatches From Xinjiang: Ablajan, The Uyghur Bieber, Channels Michael Jackson In Debut Mandarin Video

Ablajan
Ablajan Awut Ayup, the Uyghur Justin Bieber, is trending again in Uyghur cyberspace. Uyghur Weixin and popular social media sites like Misranim have amped up Ablajan’s meteoric rise in Uyghur pop culture, but this time it’s not just his highly orchestrated K-pop-style dance-ensemble performances, his catchy rhymes and bad-boy persona. Ablajan is crossing over. China, meet A-bo-la-jiang.

Dispatches From Xinjiang: Xu Xin’s “Karamay” And Life In The New Economy

Karamay Fire Memorial
Xu Xin’s monumental 2010 film, Karamay (below, with English subtitles), is a meditation on the relationship humans have to failures within Modernist political projects in our current historical moment. Using long-takes and repetitive framing, Xu Xin draws out the long duration of trauma and feelings of injustice following a horrific fire that killed hundreds of children in 1994. With the exception of a minority of Uyghurs and Kazakhs, the majority of Mandarin speakers featured in this award-winning 356-minute film came from elsewhere.