Hong Qi discovered Bob Dylan in 2001. That was the year he heard "The Answer Is Blowing in the Wind" for the first time. Speaking in an interview a decade later, he said he liked Dylan's confidence -- the feeling he evoked with his broken voice. Although Hong Qi says his English is "very bad," the imagery in Dylan's lyrics touched him deeply.
Over the past decade, he says he has become a Dylan fan. “I like all his songs, his fascination with all images. I respect his political stance. My songwriting is influenced by him.”
Perhaps you've heard, but we're organizing a community flash fiction event on Sunday, July 13 at Great Leap Brewing's Original No. 6 location, and we're seeking writers who want to read their work. All you have to do is submit an original piece of fiction between 500-700 words on the theme of "Beijing" to firstname.lastname@example.org before July 4; we'll pick at least five people to read. How easy is this? Let us demonstrate.
The Uyghur Chinese musician and poet Hong Qi celebrated his 41st birthday on May 6. He doesn’t know if that day was really his birthday. He said his mother just guessed. There is a lot that Hong Qi doesn’t know about his origins: he is one of those rare Uyghurs who grew up thinking he was Han.
So, before I begin, I guess I should get one thing out of the way: I write that show that all expats seem to hate but Chinese people seem to like – see the sketch I wrote about potatoes.
Yes, of course you could no doubt do it better; and yes, I agree, why do they even bother employing us? We’re not even funny. Now that I’ve saved you the hassle of leaving those sentiments in the comments section, I’ll get to the nitty gritty.
In commemoration of the 100th anniversary of World War I, Penguin China has released a seven-book series on China-focused Great War history. It tabbed Paul French, author of the popular and award-winning Midnight in Peking: The Murder That Haunted the Last Days of Old China, to contribute Betrayal in Paris: How the Treaty of Versailles Led to China’s Long Revolution.... I sat down with the author (over Skype) to talk about the "betrayal," Japan's role in it, and how it might have been tipped by -- of all things -- America's Jim Crow laws.
Today marks the 25th anniversary of a turning point in modern Chinese history. In the run-up, around 20 key intellectuals and campaigners have been been detained, and security around Beijing heightened. And who knows how many warnings and threats have been issued to the family and friends of conscience-driven citizens across the country.
I’m back writing about Ai Weiwei, which isn’t what I particularly want to be doing, but as he seems to be the only Chinese artist known or cared about by a wider (Western) audience, here we are. This continued, and likely mutually beneficial, publicity for AWW has led to yet another documentary focusing on the trials and tribulations -- well, mostly the trials -- of him as he continues to work as an artist and professional dissident.
In 2020, almost one of every 10 people in the world will live in a Chinese city. Every year from now, an estimated 18 million Chinese will move to urban areas. That's like taking the population of Tokyo and adding it to the nation’s urban centers every year.
Matthew Niederhauser, who's putting finishing touches on a film called Kapital Creation that documents Beijing's development, recently uploaded a Vimeo featuring stunning aerial footage of this city. It's interesting how a simple rotation of perspective can completely change how we view a place -- and makes you realize the value of a window office atop a skyscraper (or a blimp). Watch the video; you're unlikely to find urban Beijing rendered more beautifully.
If China’s contemporary art market has one fatal fault, it is an obsession with cultivating and trading stars.
Artists born in the 1960s have become darlings of the market, producing some of the most expensive works traded at auction houses anywhere in the world.
But the next generation, born in the 1970s, has very different goals for creation and social recognition. Most use their skills to express an attitude or convey their artistic perspective to the public in plain language.
For his first solo exhibition on the Chinese mainland, Taiwanese artist Lee Mingwei is transforming his childhood memories into a personal performance at Ullens Center for Contemporary Art.
Sonic Blossom, the New York-based artist’s new participatory installation, brings together a team of classically trained opera singers to serenade unsuspecting visitors with Franz Schubert’s Lieder.
"Just like China, meats and fish are popular in Britain," begins this video called "A Taste of Britain," by CRI's Stuart Wiggin and Wu Tong. "But in order to make that meat and fish taste extra special, it has to be complemented by other ingredients. Britain only has one such ingredient." Can you guess what it is?
When a movie makes Steven Spielberg cry, you can be sure of one thing: it was written for the express purpose of making people cry. Please take a look at the trailer for Coming Home, the new film by Zhang Yimou starring his muse Gong Li and the distinguished Chen Daoming. Then consider how Sinosphere described one particular audience's reaction after a screening:
Watching the leaked surveillance video of two men walking with a sea of migrant workers in front of the train station in Ürümchi makes your blood turn cold. You want to look away but you can’t. You want to understand what was going through the heads of those men with their hats pulled low as they marched with the crowd – but you can’t. Only after the shock of the fireball and the smoke clears can you stop looking, but then you can’t un-see it. You can only play it over and over in your mind.
For those of you who have been watching, The Sound Stage has been working in a "series within a series" every other episode or so since last November, featuring bands from our trip to Wuhan. AV Okubo is the last of those bands.
It takes a bit of commitment to get to Three Shadows Photography Centre, which, outside Fifth Ring Road, counts as "far outside the city." And once you arrive, you very well could get lost on the train tracks before finally coming to the main building. But there's a simple answer to the question of whether it's worth journeying out there to check out the current exhibition: yes.