It takes a bit of commitment to get to Three Shadows Photography Centre, which, outside Fifth Ring Road, counts as "far outside the city." And once you arrive, you very well could get lost on the train tracks before finally coming to the main building. But there's a simple answer to the question of whether it's worth journeying out there to check out the current exhibition: yes.
After a decade abroad in the New York art scene, painter Zhao Gang is back to exhibit his last decade of creations.
The exhibition, which opened April 13 in Yonghe Community, has attracted art market observers, commentators, reporters, and general art lovers.
Titled “The Emperor and His…,” the paintings capture Zhao’s impressions about people around the world.
An expensive work of art was reportedly thrown out with the garbage at Grand Hyatt Hong Kong on Tuesday, and it wasn't made by Damien Hirst. As Coconuts Hong Kong, SCMP, WSJ, and basically everyone else is reporting, Cui Ruzhuo's "Snowy Mountain," pictured above, was sold at auction for HK$28.8 million (US$3.7 million) on Monday, and one day later, police were searching for it among the city's rubbish.
Using simple lines and traditional ink, Xu Li brings ancient ghosts and ladies to life on xuan paper.
Xu is a representative of China’s “grassroots” artist movement, a group of classically educated artists who have given up on academics to focus on creating art that is closer to everyday life.
Zhang Botao searches for remnants of ancient tradition in China’s modern women. Since 2010, he has been working on oil paintings inspired by ancient beauties at his studio in the Songzhuang artist colony.
His paintings blend modern figures with ancient oriental traits. Each of the women in his works show eyes full of desperation and sorrow.
A new exhibition at Ullens Center for Contemporary Art, curated by Karen Archery and Robin Peckham, is exploring the character of new art whose concepts, ideas, dissemination and reception are defined by a post-Internet world.
Titled “Art Post-Internet,” the collection includes works by artists based in New York, London and Berlin.
Judging by the latest collection at Asian Art Works, the life of the modern artist is world-weary and pessimistic.
The new exhibition, titled Collections of Asian Art Works, reflects the personal attitudes of the gallery’s collected artists. Those attitudes may be a symptom of China’s general outlook on prosperity.
Memetjan Abla, a painter, teacher, husband and father, known for his subtle use of color in his elegant portraits of Uyghur urban life, was lost on Malaysia Airlines Flight MH370 from Kuala Lumpur to Beijing. He was 35.
Among the hundreds of galleries in Beijing, Intelligentsia Gallery is quite unusual in its interactive approach to exhibitions.
Created as a room of sorts, it regularly gathers the works of painters, sculptures and photographers into a shared space that enables visitors to interact with the art.
This March, it is presenting a group exhibition titled Hermeneutics of a Room. Featured artists include Meng Zhigang, Simona Rota, Matjaž Tančič, James Ronner and Camille Ayme.
If you only gave Yang Shufeng’s engraving prints a short glance, his work would come off as a confused mess.
The chaotic lines and objects seem to purposefully confound whatever message Yang hopes to send. But in that confusion lies the real message: one of depression, anger, disappointment, and rebellion.
The definition of irony has always been difficult to pin down, even for the most seasoned of wordsmiths, but here’s an attempt through example: an artist who achieved fame by defacing or destroying other artists’ work sees one of his defaced works defaced by another artist.
The famous artist is Ai Weiwei, whose 1995 photographic triptych Dropping a Han Dynasty Urn is undoubtedly one of the pieces that propelled him to international art world fame and fortune.
No one can doubt Ma Haifang’s Beijing credentials.
Born in the city in 1956, Ma studied at the Central Academy of Fine Arts and graduated in 1981 with a degree in traditional painting. Like many masters in his field, he has spent the years since working at People’s Art Publishing House as a supervisor.
Ma obsesses about Beijing life. Each of his works capture daily life in Old Beijing and festival celebrations.
Our friends at Beijing Today will sporadically swing by to introduce art and culture in the city. This week, a man who paints of and with love.
Sheng Tianhong’s heart is wholly devoted to painting. Born in Zhejiang Province in 1973 and a graduate from the Chinese Central Academy of Fine Arts, he moved to Dusseldorf, Germany at the age of 24 to travel and develop his career.
Our friends at Beijing Today will be swinging by now and then to introduce art and culture around the city. This week, get acquainted with modern creations as the National Art Museum of China reexamines the New Wave movement of 1985, which began with an essay and series of pictures by graduate students at the Zhejiang Art Academy (now the China Academy of Art). They ran wildly counter to the Chinese mainstream at the time, emphasizing a deeper perspective on humanity – one that respected individuality and free expression.
Our friends at Beijing Today will be swinging by every now and then to introduce art and culture around the city. This week's focus is on 798's Galleria Continua Beijing, which currently is featuring a solo exhibition by Qiu Zhijie.
Chen Zhifeng is a “self-made” billionaire, founder of the Western Regions Photography Society, and a major force in Xinjiang’s art scene. He is part of a newly minted cohort of Xinjiang capitalists: the Xinjiang 8 (or 9), who have taken advantage of Chinese-Central Asian market development and the post-Reform oil and gas economy. His Wild Horses Corporation brings in an annual income of $700 million selling Chinese-made women’s underwear and TVs in Russia and Kazakhstan.
Yet, unlike some other Xinjiang elites, Chen has reinvested his wealth in Xinjiang.
For the first time ever, Art Basel opened in Hong Kong on Thursday, where it'll remain a showcase for Asian art, artists and galleries until tomorrow. For a glimpse, you'll want to check out Stephy Chung's latest video for Crane.tv, above, featuring scenes from this international event.
Does Hong Kong deserve Art Basel? That's debatable. "Even a few local boosters will admit that the paucity of Hong Kong galleries is largely a reflection of the weakness of the local art scene," reports the New York Times.
Chinese media gets fooled by things occasionally. Usually it’s satire that gets them, but recently, the Chinese edition of Global Times discovered it could embarrass itself in totally new and interesting ways.
By mistaking DeviantArt for the real thing.
Li Hongbo loves paper. He loves it so much that he's taken it to the "artistic extreme," as Crane TV puts it -- which is apt, considering Li can "open" and "provoke" his paper art, turning/flipping/rotating it into different shapes or evocations. Check out this former book editor at work in the above video as he shapes paper gourds, guns, statues, and other miscellany.