Ever look at social media and find yourself overwhelmed by the negativity of the content, the cynicism and choler, the splenetic outbursts and general ire? Or find yourself similarly frustrated with the state of the world and life, prone to rant and rave yourself? Turns out, there's a good reason for that. Angry posts are republished and forwarded more often and spread faster, according to a Chinese study of user behavior on Sina Weibo.
Our writer thought he had a simple part-time teaching gig at a Chinese army hospital. Little did he know, he'd find himself in a life-and-death battle for honor and glory -- and "America."
Lots of neat-o stuff going on this weekend and this one might have slipped under your radar. You should go if you want.
Local DJ/producer Dead J is doing a new night this Friday night at Dada called DARK, which is, as the name implies, mandated towards darker elements of the electronic music spectrum. Expect harsher techno, industrial, atmospheric stuff, breakcore, suicide music, arty bullshit, noisy and dour blips, bleeps, and bloops. In a dance club setting.
This week's podcast was recorded at the Bookworm on Wednesday for the Literary Death Match, hosted by Adrian Todd Zuniga, featuring the four readers/competitors Leslie Ann Murray, Tom Carter, Stanley Chan, and Anthony Tao, and the judges Alice Xin Liu, Vicky Mohieddeen, and Sherwin Jiang.
Chen Zhifeng is a “self-made” billionaire, founder of the Western Regions Photography Society, and a major force in Xinjiang’s art scene. He is part of a newly minted cohort of Xinjiang capitalists: the Xinjiang 8 (or 9), who have taken advantage of Chinese-Central Asian market development and the post-Reform oil and gas economy. His Wild Horses Corporation brings in an annual income of $700 million selling Chinese-made women’s underwear and TVs in Russia and Kazakhstan.
Yet, unlike some other Xinjiang elites, Chen has reinvested his wealth in Xinjiang.
The relationship between China's central and local governments has never been linear or completely top-down. There are times of harmony, but more often, there's tension. In the recent past, thanks to social media, conflicts and disagreements usually kept behind closed doors have begun leaking into the public domain.
Several recent posts on Sina Weibo by legal organs revealed that tensions are as manifest today as they were during historical times. Many netizens have gone as far to call these posts an act of “rebellion.”
After a handful of English-language publications declared that authorities had "shut down" the Beijing Independent Film Festival (BIFF), many people likely dusted their hands of the matter, thinking censorship had once again triumphed over artistic expression. But as James Hsu discovered more than a week after the festival’s supposed cancellation, BIFF held a successful, albeit quiet, closing ceremony following a full program of screenings and panels.
So what happened? A few days after the closing, I met with artistic director Dong Bingfeng to ask him about that and other issues on censorship, film in China, and independent festivals in the future.
ISTANBUL WINS RIGHT TO HOST 2020 SUMMER OLYMPICS, reads the Xinhua headline on a September 8 edition of Changsha Evening News. There's just one big, huge, obvious mistake:
Ace (Amy's roommate!) speaks to John Artman and Amy Daml about teaching young children in China, culture shock after arriving from Boulder, Colorado in 2009 -- her first time out of the country -- and other...unique experiences in Beijing.
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