“Glass Rained In Like Powder”: A Firsthand Account Of A “Chengguan” Attack In Beijing

Derrick Sobodah chengguan bleeding hand
This morning, my wife and I set out to make a trip to the hospital. Because we were in a rush, we decided to rent a sanlunche (motorized tricycle) to take us to the nearest subway station. We hailed one on the main road outside the north gate of our community at about 8:45 am. Our driver proceeded westbound on Chaoyang Road until reaching the McDonald’s across the north gate of Beijing International Studies University. At the intersection, she turned right onto Dingfuzhang Street and proceeded north toward Dalianpo station on Subway Line 6. Read more »

Mao And Money: The Evolution Of The Chinese Banknote

Money and Mao
A lot of cash changes hands around Chinese New Year. Despite the convenience of electronic payments, China is still very much a cash-based society, and pink 100-yuan notes featuring the plump visage of Mao Zedong proliferate wallets, pockets, and purses. Most stories analyzing the Chinese demand for cash focus on the stress it puts on the banking system, but let's take a look at it from a historical angle: what can we discern about recent Chinese developments by looking at who -- and what -- appears on the renminbi? Read more »

Dispatches From Xinjiang: Aspiration, Masculinity And The City: Hezriti Ali’s Film Short And Music Video “With Me”

Aspiration, Masculinity And The City - Hezriti Ali
Within the marriage market of the urban Uyghur community it has almost become a cliché to discuss the moral aptitude of young men in terms of their frequency of prayer. When introducing a potential boyfriend, the line given is “he prays five times a day." Although this description often overlooks other moral failures such as drinking, smoking, and general carousing, the overall connotation conveyed is “this is a good, responsible guy.” In the short film With Me, Hezriti Ali, another self-made migrant actor-muscian from the southwest edge of the Taklamakan Desert, tackles this problem in an unusually subtle and implicit way. Read more »

Wen Yiduo: A Masterful Poet Is Revived In New Translation

Wen Yidou - Stagnant Water Cover featured image
The temptation, when evaluating a poet gunned down by his government, is to start there, with the politics that led to his murder. But Wen Yiduo (1899-1946) was much too complex and heterodox to comfortably wear the martyr's robe, his works too nuanced and unsettled to be a paragon of any revolution. His poems explore religion and rickshaws, contain the chrysanthemums of Chinese folklore and the mud of contemporary times, and dare readers to challenge prevailing conceptions, even to render their own cynicism as hope. Read more »