Some Old Time American porch music this week, in anticipation of Friday night's big "Roots Rage" show down at Mako Livehouse. The gentleman on the fiddle is Michael Ismerio, visiting us in Beijing from North Carolina. He's been gigging around town, sitting in with the Yellow Hutong Weasels and others, doing roots music workshops, playing shows, and calling square dances. Serious. He was the caller at last night's square dance at the Home Plate BBQ Sanlitun preview dinner. Goes something like this. Dare to be square, man.
“Sometimes the mountains faded into the whiteness of the clouds and it was difficult to distinguish what was snow and what was clouds. Yet some days there were no clouds and the mountains seem to float in the air. This caused me to have a good and proper smile.” –Ai Qing, The Poetic Life, 2007, 67 (looking south from his labor camp in Shihezi to the Heavenly Mountains)
If you haven't been following the story of Bloomberg vs. the New York Times, start here. That's NYT's article, built around an anonymous source within Bloomberg, claiming that Bloomberg editor-in-chief Matthew Winkler spiked a sensitive China story due to pressure.
Overheard in the international departures line at the Ninoy Aquino International Airport in Manila: "What do you suppose 'wang-wang' means?"
"Don't do what the Chinese do in lines."
Junkyard Planet, the first book by Bloomberg Shanghai correspondent Adam Minter, offers a look at the often unheard and unseen $500 billion global scrap and recycling industry, which has formed in the shadow of burgeoning Western -- and increasingly Chinese -- consumerism. Minter is himself “a proud junkyard kid” from a Minneapolis scrap trading family that established themselves through hard graft in the post-Depression period. This background provided him the connections to offer an invaluable insider perspective on this unknown trade -- and also informs his somewhat Romanticized, American Dream-inspired perspective.
In his book The Gift the Russian-American novelist Vladimir Nabokov describes the mountains of Northwest China as a “transparent and changeable setting” where “the dryness of the air produced an amazing contrast between light and shadow: in the light there were such flashes, such a wealth of brilliance, that at times it became impossible to look at a rock, at a stream; and in the shadow a darkness that absorbed all detail.”
Here it is! What, you weren't also waiting for images and videos from this year's Guangzhou Sex and Culture Festival, which began Friday and ended Sunday?
